帮忙翻译或SUMMARY这篇短文（好的追加200分，不要翻译软件的）

Poe's "seriousness" seems to me indisputable in "The Cask of Amontillado," a tale which W. H. Auden has belittled. Far from being his author's mouthpiece, the narrator, Montresor, is one of the supreme examples in fiction of a deluded rationalist who cannot glimpse the moral implications of his planned folly. Poe's fine ironic sense makes clear that Montresor, the stalker of Fortu¬nato, is both a compulsive and pursued man; for in committing a flawless crime against another human being, he really (like Wilson and the protagonist in "The Tell-Tale Heart") commits the worst of crimes against himself. His reasoned, cool intelligence weaves an intricate plot which, while ostensibly satisfying his revenge, despoils him of humanity. His impeccably contrived murder, his weird mask of goodness in an enterprise of evil, and his abandonment of all his life-energies in one pet project of hate convict him of a madness which he mistakes for the inspiration of genius.The brilliant mas¬querade setting of Poe's tale intensifies the theme of Montresor's apparently successful duplicity;
Montresor's ironic appreciation of his own deviousness seems further to justify his arrogance of intel¬lect. [3] But the greatest irony of all, to which Montresor is never sensi¬tive, is that the injuries supposedly perpetrated by Fortunato are illusory and that the vengeance meant for the victim recoils upon Montresor himself. In immolating Fortunato, the narrator uncon¬sciously calls him the noble Fortunato and confesses that his own "heart grew sick." Though Montresor attributes this sickness to "the dampness of the catacombs," it is clear that his crime has begun to possess him. We see that, after fifty years, it remains the obsession of his life; the meaning of his existence resides in the tomb in which he has, symbolically, buried himself. In other words, Poe leaves little doubt that the narrator has violated his own mind and humanity, that the external act has had its destructive inner consequences.
不要软件或在线翻译出来的

Poe's "seriousness" seems to me indisputable in "The Cask of Amontillado," a tale which W. H. Auden has belittled. Far from being his author's mouthpiece, the narrator, Montresor, is one of the supreme examples in fiction of a deluded rationalist who cannot glimpse the moral implications of his planned folly. Poe's fine ironic sense makes clear that Montresor, the stalker of Fortu¬nato, is both a compulsive and pursued man; for in committing a flawless crime against another human being, he really (like Wilson and the protagonist in "The Tell-Tale Heart") commits the worst of crimes against himself. His reasoned, cool intelligence weaves an intricate plot which, while ostensibly satisfying his revenge, despoils him of humanity.
在一部被WH Auden藐视的小说“雪利酒桶”里，我无法争辩作者Poe的“认真”态度。Montresor，故事的自述者，完全不代表作者的喉舌，而像许多小说的极端例子一样，是一个迷茫的理性主义者，没觉察他那愚蠢的计划在道德方面的涵义。Poe的讽刺风格确保了恶意跟踪Fortunato的Montresor是一个既冲动同时又是个被追击的人； 因为他在对一个人执行毫无破绽罪行的同时，这滔天大罪的对象其实就是他本人（犹如‘明显的心’里的主人翁和Wilson）。 通过他理性、冷静的智慧所编排那错综复杂的阴谋，表面上虽然满足了他报复的心态，却也剥夺了他的人性。

His impeccably contrived murder, his weird mask of goodness in an enterprise of evil, and his abandonment of all his life-energies in one pet project of hate convict him of a madness which he mistakes for the inspiration of genius.The brilliant mas¬querade setting of Poe's tale intensifies the theme of Montresor's apparently successful duplicity; Montresor's ironic appreciation of his own deviousness seems further to justify his arrogance of intel¬lect.
他那完美无暇的谋杀计划、掩饰邪恶的善良面具、耗费毕生精力去从事一个他热爱的仇恨行动，这些可以判定他是疯子的行为却被他误解为天才的灵感。Poe小说里精彩的化装舞会情节增强了Montresor成功彰显他表里不一的个性主题；而颇具讽刺性的是他对自己狡猾的自我欣赏更证明他为人的傲慢。

[3] But the greatest irony of all, to which Montresor is never sensi¬tive, is that the injuries supposedly perpetrated by Fortunato are illusory and that the vengeance meant for the victim recoils upon Montresor himself. In immolating Fortunato, the narrator uncon¬sciously calls him the noble Fortunato and confesses that his own "heart grew sick." Though Montresor attributes this sickness to "the dampness of the catacombs," it is clear that his crime has begun to possess him.
Fortunato应遭受到的伤害却是虚幻的，而原本针对受害者的报复却反弹到Montresor自身；这是最大的讽刺，但Montresor却从没觉悟到。在他祭奠Fortunato时，无意识地称呼他为高贵的Fortunato，而且还承认他‘感到恶心’；虽然Montresor把这归因于‘地下墓穴的湿气’，
很明显他已开始感到罪恶缠身。

We see that, after fifty years, it remains the obsession of his life; the meaning of his existence resides in the tomb in which he has, symbolically, buried himself. In other words, Poe leaves little doubt that the narrator has violated his own mind and humanity, that the external act has had its destructive inner consequences.
我们可以看见，五十年过去了，对此事他是终身耿耿于怀，他一直活在他那已象征式埋葬了自己的坟墓里。换句话说，Poe毫无疑问地表明，自述者已侵害了他自己的心智与人性，外在行为的最终结果，可以导致一个人内在的毁灭。

注：这篇读后感写得很好，铿锵有声的措辞，行云流水般的表述，让人感觉自身的英文水平羞于见人。要想翻译出一样的精彩，太难了！！
另外，我不在意答案被选中与否，只希望LZ别将我们和哪些只花2分钟就搞定的翻译一起参加投票。因为这是不尊重我们所花的时间和精力,而且也间接助长这不正之风！谢谢。

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