音乐术语很多的英语,求翻译

只要人工翻译哦!
1)the intonation was rather unreliable;this was particularly noticeable in mm 1-8 where it was almost consistently sharp .
There was a slight improvement from mm.9-15 the trill was well - executed .
The quavers in m 12 were a little untidy .
Tone was well-projected , although dynamic levels could benefit from more contrast .

2)Sharpened intonation was immediately obvious and soon became a serious detriment to the general quality of the music.
Once again , dynamic contrast was not sufficiently demonstrated .
The slurs were fragmented and the dotted crotchets were erroneously shortened.

3)There was a similar problem here with regard to the intonation ; the opening bar (mm.5-8) were especially out of tune , sounding closer to D major than D minor .
There was insufficient fluency in the double-stop passages from mm. 13-20 as the second string was often omitted.
Sense of tonality was somewhat more stable from m.21 onwards, although a number pf errors further marred the perfo

1)the intonation was rather unreliable;this was particularly noticeable in mm 1-8 where it was almost consistently sharp .
There was a slight improvement from mm.9-15 the trill was well - executed .
The quavers in m 12 were a little untidy .
Tone was well-projected , although dynamic levels could benefit from more contrast .
---1)音准不肯定(有时候准,有时候又不准的意思);在1-8小结的时候特别明显,偏高。从9-15小结开始有一点进步。震音处理得很好。
12小结里的颤声有点凌乱。
音调有很好的发出来,虽然力度变化可以更大一点。

2)Sharpened intonation was immediately obvious and soon became a serious detriment to the general quality of the music.
Once again , dynamic contrast was not sufficiently demonstrated .
The slurs were fragmented and the dotted crotchets were erroneously shortened.
---2)音准很明显地变尖了,很快地损坏了音乐的质量。
再度,力度变化没有充分地被表现出来。
连奏是破碎地而且附点四分音符被错误地缩短了。

3)There was a similar problem here with regard to the intonation ; the opening bar (mm.5-8) were especially out of tune , sounding closer to D major than D minor .
There was insufficient fluency in the double-stop passages from mm. 13-20 as the second string was often omitted.
Sense of tonality was somewhat more stable from m.21 onwards, although a number pf errors further marred the perfo
---3)音准还是相似地发生了问题;开始的小结(5-8)里面特别的走音,听起来比D小调更像D大调。
13-20小结里的双停小段有不够的流畅,第二条弦常被遗漏。
从21小结开始音准开始比较稳定,虽然-------

3)的英文部分没写完的样子。所以不能翻译:\
你是拉小提琴的吧?
我也是学音乐的~可是是在美国。
所以这些专业术语我查了很久呢:P
音乐加油哦!我能明白音准的问题=.=
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